ВАРЕНЪЙЕ ОРГАНИЗМIG, Email   
CVMutants Behind It All
Carousel studio (NEW BRANCH)

A reckless crew of art-bandits, cooked up solely to poke, prod and tease the droopy petals of human curiosity.

We haunted Russia from 2008 to 2022, sneaking straight into the inner kid curled up somewhere inside the leathery, slow-beating shell of the average grown-up dinosaur.
Our agenda was simple: ignite rogue synapses into existence using tech-toys, off-script behavior, and a cheerful disrespect for whatever passes as “normal”.
Our handmade equipment? Half-magic, half-nonsense elasticity rigs for rebooting your sense of youth.
We were brave, naive, and stubborn enough to believe kids should run the universe.
Armed with nothing but our toy-like, phantasmagoric, borderline-delirious art-contraptions, we managed to “upgrade” exactly 0.000014% of Earth’s population.
Our impact is so gloriously tiny and cosmically irrelevant that, yeah, everyone forgot about it already.

This website is our glitch-sheet history:
a pocket-sized chronicle, a dusty memory box, a pile of stories fermenting peacefully in the attic gloom.

If you prefer to watch videos, here is a video version of our story,


Project Vibe

RAZ-DVA

INFLATABLE SCULPTURE


RING-0

HABITABLE STRUCTURE


TOR-AWE

INFLATABLE NIGHTCLUB

1=0

INFLATABLE ACTIVISM


RAINBOWGUN

AIRFLOW TOY-SCULPTURE


HEDGEHOG

TOY-SCULPTURE


SLAPDASHSLOT 

TOY-SCULPTURE


PXLPTRNS

PARTICIPATORY GRAPHICS


POKE-N-CLICK

AV-INTERACTIVE


PUMA RS-2K

COMMERCIAL PIECE


ON DANCE

THERAPY BOXING RING


CURIOSITY INDX

PROVOCATION


IRRADIATOR

INTERACTIVE LOONY-BIZ


CHAGABOOGERS

PROVOCATION


IRRITEXTS

IMPOSTER POSTERS


INWARDSIGNS

PUBLIC ART SERIES


I’M A CIRCUIT

PUBLIC ART SERIES


BOT BOOTH

PROVOCATION


PLAY ROOM

PERSONAL EXIBITION


KIT HUMAN

WEARABLE ART GAME


SCARVES-HOSES

WEARABLE ART GAME


PAGAN BLOCKS

INTERACTIVE PIECE

BARREL CUBE

AV PLAYSCAPE


THE FITTING BOX

COMMERCIAL PIECE


SHAMBLES ANEMONE

INFLATABLE PATH


PLASTMAZE

COMMERCIAL PIECE


EARLY ECLECTIC

STREET ART PIECE

POKE-N-CLICK

AV-LANDSCAPE


FASHION EXPRMNTS

AMATEUR PROTEST


CHRISTMAS TREE

PROVOCATION


PXL TAXI

CAR WRAPS


IRRITEXT VER FR

IMPOSTERS 2025




PXLPTRNS PARTICIPATORY GRAPHICS2018


 Huge scale
 Pixel art
 Participatory
 Mind blowing

This project revolves around pixel patterns by the artist Konstantin Antonov, known as TheLocalGenius.com — one of the earliest members of our group.

For many years, Kostya created a vast, ever-growing universe of pixel canvases, and we used his prints everywhere: clothing, vinyl wraps for cars, wallpaper for the studio, ceilings, installations — anything that could be covered, we covered.

But the real charm isn’t in how we used the prints.

It’s in how they were made. Kostya invented his own technique.
A secret technique. Which I, of course, will not reveal…Fine, I’ll reveal it.
You start with a file that’s 4×4 pixels.
You color those 4 pixels however you want, save the file enlarged to 16 pixels, and pass it to someone else in the group.

That person opens the now-16-pixel file, colors those pixels in their own way, saves it enlarged to 32 pixels, and passes it further.

And so the file travels in a circle — person to person — for an entire month.

Each iteration doubles the resolution, and each artist injects their own memories, humor, associations, and micro-stories into the expanding grid.

By the end, the file becomes a massive 6000×6000 pixel print with insane detail — a deep, layered tapestry of our collective brain.

We used these final patterns for all sorts of things, including lightboxes.

At one point we even created a series of ten anniversary patterns — one for each year of our project’s history.

Each pattern was shaped by this same circular technique: passing the file around, embedding inside it everything we remembered from that year — projects, jokes, failures, absurdities, glitches, personal dramas, triumphant moments.

It became a kind of game — a ritual, really — a collaborative pixel diary we kept for ourselves, disguised as abstract art.


























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