The Human Constructor was one of our earliest and most defining projects.

It consisted of fabric-made tubes, stuffed shapes, and 3D geometric pieces — all covered with metal snap buttons, like clothing hardware. Alongside these pieces we created special garments: vests, overalls, capes, hats, pants, and a whole zoo of abstract accessories.

A cube could be worn on a leg instead of a shoe.
Another cube on the back instead of a bag.
Half-meter prisms on the arms like mutant gloves.
Everything snapped onto everything.

It was a game of rebuilding yourself — a chance to constantly reassemble your own body out of modular pieces.

At events, we let visitors rebuild themselves… or rebuild us.

Over time we made many versions: from foam, from EVA, from digitally printed fabric, from sewn hybrids.

Eventually all of this led to a full clothing collection — a kind of wearable / unwearable fashion-art experiment.

For the first five years of our studio, The Human Constructor was the structural backbone of everything we did.

Rearranging yourself from fragments makes you new again.
It refreshes you.
It pulls out the child you remember being.

The Human Constructor — created in 2009 — was the first and, in many ways, the core project of the Organism of Boiledness.

It was a kit of snap-on pieces and special jumpsuits that allowed you to build abstract compositions directly on the human body.

The project expressed our obsession with self-modification, play, and the constant urge to “upgrade.”

The idea eventually materialized into transformable clothing: naive, abstract, post-modern, a bit Memphis-style, part toy, part performance.